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3. Download stuart little 2 yify movies torrent: Stuart's mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a ne.
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'Watch Stuart Little 2 DVD and Movie Online Streaming' 'Stuart, an adorable white mouse, still lives happily with his adoptive family, the Littles, on the east side of Manhattan's Central Park.' 'Available in: DVD. Watch Online Download Stuart Little 2 2002 Full Movie In Hindi Dubbed And English Bluray 720P HD Dual Audio Via One Click Direct Links At WorldFree4u.Com. Synopsis:Stuart’s mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart.

Stuart Little is a 1999 American familycomedy film loosely based on the novel of the same name by E. B. White. Directed by Rob Minkoff in his live-action debut, the screenplay was written by M. Night Shyamalan and Greg Brooker, and stars Geena Davis, Hugh Laurie, and Jonathan Lipnicki, alongside the voices of Michael J. Fox and Nathan Lane. The plot bears little resemblance to that of the book, as only some of the characters and a few minor plot elements are the same. The film's sequel more closely resembles the original novel.

The film was released on December 17, 1999 by Columbia Pictures.^[5] It received an Academy Award for Best Visual Effects nomination, losing to The Matrix.^[6] The first film in the Stuart Little series, it was followed by a sequel, Stuart Little 2 in 2002, the short-lived television series Stuart Little in 2003, and another sequel in 2005, the direct-to-videoStuart Little 3: Call of the Wild. It was Estelle Getty's final film before her retirement in 2001 and her death in 2008.

• 2Cast
• 4Reception

Plot[edit]

Eleanor and Frederick Little and their young son George are intending to adopt a new family member. While George is at school, his parents go to an orphanage where they meet an anthropomorphic teenage mouse named Stuart. Despite misgivings from Mrs. Keeper, they adopt Stuart and take him home. However, Stuart is greeted coldly by George, who refuses to acknowledge the mouse as his brother, and the family cat Snowbell, who is disgusted at having a mouse for a 'master'. Despite Eleanor and Frederick's intentions, Stuart quickly feels like an outsider in the large Little family, especially when their relatives bring Stuart large presents and George snaps at his family, claiming that Stuart is not his brother. When Stuart admits his feelings of loneliness to his parents, they ask Mrs. Keeper to do some background research on Stuart's biological family.

After accidentally stumbling across George's playroom in the basement, Stuart finally bonds with George when they play together and plan to finish George's remote controlled racing sailboat, the Wasp, for an upcoming boat race in Central Park. At the same time, however, one of Snowbell's alley cat friends, Monty, visits unexpectedly and discovers Stuart. Determined not to have his reputation destroyed, Snowbell later meets with Smokey, Monty's leader and a Mafia don-like alley cat, who plans to have Stuart removed from the household.

Stuart and George finish the Wasp in time for the race, but on the day of the race, the controller is smashed when a gentleman accidentally steps on it. To make it up to George, Stuart pilots the Wasp himself, but ends up in a tussle with a larger boat piloted by George's rival, Anton Gartman who has cheated by wiping out everyone else's boats. Stuart snaps the wires of Anton's boat in half causing it to malfunction and wins the race, finally winning George's respect. However, during the family celebration a short time later, the Littles are visited by a mouse couple, Reginald and Camille Stout, who claim to be Stuart's parents who gave him up to the orphanage years ago due to poverty. Reluctantly, Stuart leaves with the Stouts and George gives him his favorite toy car as a farewell gift. A few days later, however, Mrs. Keeper arrives and tells the Littles that Stuart's real parents actually died many years ago in a supermarket accident. Realizing that their son has been kidnapped, the Littles call the police, who start a search operation.

Later that night, Snowbell meets with Smokey, Monty and the other alley cats, who reveal that they had forced the Stouts to pose as Stuart's parents, in order to remove Stuart from the household. Now fearing retribution should the Littles discover Snowbell's deception, Smokey orders the Stouts to hand Stuart over to them. But the Stouts, having grown to love Stuart like their own, tell him the truth and instruct him to escape. Furious, Smokey orders a manhunt for Stuart. He and the other cats (minus Snowbell and Monty) corner him in Central Park and chase him into the sewers. Despite losing his car and almost falling down a storm drain, Stuart manages to evade Smokey's gang and returns home, unfortunately while the Littles are putting up posters of him all over the city. The only one present is Snowbell, who lies and tells Stuart that the Littles have been enjoying themselves greatly since his departure, and uses his removed face from the family photograph as proof (which was actually used for the posters). Heartbroken, Stuart leaves the house again.

When the Littles return home with no success of finding Stuart, Snowbell begins to realize his selfishness and starts to feel incredibly guilty for everything he's done. Later, Smokey, Monty and the other alley cats pinpoint Stuart's location back to Central Park and bring Snowbell along for the hunt. Snowbell finds Stuart in an empty bird's nest and saves him from the cats, confessing that the Littles truly do love him. Smokey, Monty and the other cats eventually catch up and corner Stuart on a branch. Before the cats can catch him, Snowbell breaks the branch they are standing on, sending them (Monty included) falling into the river below. Smokey then tries to ambush Snowbell from behind, but Stuart smacks him in the face with another branch, knocking him out of the tree and into the river as well. Smokey then leaves angrily and is then chased away by stray dogs. Stuart and Snowbell later return home and happily reunite with the Little family.

Cast[edit]

Live-action cast[edit]

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• Geena Davis as Eleanor Little
• Hugh Laurie as Frederick Little
• Jonathan Lipnicki as George Little
• Jim Doughan as Officer Allen
• Stan Freberg as Race Announcer
• Jeffrey Jones as Uncle Crenshaw
• Connie Ray as Aunt Tina
• Allyce Beasley as Aunt Beatrice
• Brian Doyle-Murray as Cousin Edgar
• Estelle Getty as Grandma Estelle
• Harold Gould as Grandpa Spencer
• Patrick Thomas O'Brien as Uncle Stretch
• Arturo Peniche as Carlos
• Julia Sweeney as Mrs. Keeper
• Manuel Ojeda as Genaro
• Dabney Coleman as Dr. Beechwood
• Miles Marsico as Anton Gartman
• Jon Polito as Officer Sherman
• Francisco Gattorno as Jose Maria
• Joe Bays as Race Starter
• Taylor Negron as Salesman
• Cesar Evora as Gabriel

Voice cast[edit]

• Michael J. Fox as Stuart Little
• Nathan Lane as Snowbell
• Chazz Palminteri as Smokey
• Steve Zahn as Monty
• Jim Doughan as Lucky
• David Alan Grier as Red
• Bruno Kirby as Reginald Stout
• Jennifer Tilly as Camille Stout
• César Évora as Cesar

Lost painting unknowingly used on set[edit]

One of the paintings used as a prop for the Littles' home was the 1920s painting Sleeping Lady with Black Vase by Hungarian avant garde painter Róbert Berény, which had long been considered a lost painting. A set designer for the film had purchased the painting at an antiques store in Pasadena, California for $500 for use in the film, unaware of its provenance. In 2009, art historian Gergely Barki, while watching Stuart Little on television with his daughter, noticed the painting, and after contacting the studios was able to track down its whereabouts.^[7] In 2014, its owner sold the painting at an auction for €229,500.^[8]

Reception[edit]

Box office[edit]

Stuart Little was released theatrically on December 17, 1999. On its opening weekend, Stuart Little grossed $15 million, placing it at #1. It dropped to #2 over its second weekend, but went back to #1 on its third weekend with $16 million. According to Box Office Mojo, its final gross in the United States and Canada was $140 million and it grossed $160.1 million at the international box office, for an estimated total of $300 million worldwide.^[5]

Critical reception[edit]

Stuart Little received generally positive reviews from movie critics. According to Rotten Tomatoes, 67% of critics gave the film a positive review based on 96 responses with an average rating of 6.3/10. The site's consensus reads: 'Stuart Little is charming with kids and adults for its humor and visual effects.'^[9] On Metacritic, the film has a score of 61 out of 100, indicating 'generally favorable' reviews.^[10]

Jesus Freak Hideout said that 'from start to finish, Stuart Little is a near flawless family film'^[11] while Stephen Holden of The New York Times had said 'the only element that doesn't completely harmonize with the rest of the film is the visually unremarkable digital figure of Stuart.'^[12]

Home media[edit]

Stuart Little was released to VHS and DVD on April 18, 2000. It was later re-released on a Deluxe Edition on May 21, 2002, and on Blu-ray on June 28, 2011.

Soundtrack[edit]

The soundtrack album Stuart Little (Music from and Inspired by the Motion Picture) was released by Motown and Universal Records on November 30, 1999, on audio CD and audio cassette. Tracks in bold do not appear in the film.

1. I Need to Know – R Angels (3:54)
2. The Two of Us – S Club 7 (3:35)
3. You're Where I Belong – Trisha Yearwood (4:17)
4. If You Can't Rock Me – The Brian Setzer Orchestra (2:40)
5. 1+1=2 – Lou Bega (4:04)
6. He Rules – 702 (3:04)
7. Home – Brian McKnight (4:22)
8. Walking Tall – Lyle Lovett (3:16)
9. Lucky Day – Matt Goss (4:03)
10. Mouse in the House – Colby O'Donis (4:34)
11. The Boat Race – Alan Silvestri (5:12)
12. I'm Gonna Miss You – Alan Silvestri (4:43)
13. You're Where I Belong (Soul Solution Remix) – Trisha Yearwood (4:04)
14. That's Amore - Dean Martin (3:08)

References[edit]

1. ^'Stuart Little'. AFI Catalog of Feature Films. American Film Institute. Retrieved August 24, 2018.
2. ^'Stuart Little'. AllMovie. Retrieved August 24, 2018.
3. ^'Stuart Little'. British Board of Film Classification. Retrieved May 28, 2018.
4. ^'Stuart Little (1999) – Financial Information'. the-numbers.com. Retrieved May 28, 2018.
5. ^ ^abcd'Stuart Little (1999)'. Box Office Mojo. April 16, 2000. Retrieved May 28, 2018.
6. ^'The 72nd Academy Awards'. Academy Awards. Retrieved May 28, 2018.
7. ^'Stuart Little leads art historian to long-lost Hungarian masterpiece'. The Guardian. Budapest: Guardian Media Group. Agence France-Presse. November 27, 2014. Retrieved May 28, 2018.
8. ^Laura Westbrook (December 14, 2014). 'Lost painting auctioned after discovery in Stuart Little film'. BBC News. Retrieved May 28, 2018.
9. ^'Stuart Little'. Rotten Tomatoes. Retrieved November 20, 2018.
10. ^'Stuart Little'. Metacritic. CBS Interactive. Retrieved May 28, 2018.
11. ^'Stuart Little'. Jesus Freak Hideout. Retrieved May 28, 2018.
12. ^Stephen Holden (December 17, 1999). 'Film Review – Extra! Sly Cat Upstages Stuart Little!'. The New York Times. Retrieved May 28, 2018.

External links[edit]

• Stuart Little on IMDb

On this post, I will focus on Sony Pictures/Columbia Pictures, the studio people want dead because they own Spider-Man and not Marvel. Besides Spider-Man, this studio is most well known for Terminator 2: Judgement Day, Men in Black, Hancock, 2012, the Daniel Craig 007 Films (Casino Royale, Quantum of Solace, Skyfall, and Spectre), and Jumanji: Welcome to the Jungle.

Before we start, I want to say something, and I might get downvoted for this.

People when Paramount Pictures’ 2017 slate critically and commercially flops (every single one of them was rated poorly: Monster Trucks, xXx: The Return of Xander Cage, Rings, Ghost in the Shell, Baywatch, Transformers: The Last Knight, Mother!, Suburbicon, Daddy’s Home 2, and Downsizing): I hope Paramount Pictures improves as a studio. But hey, with new management, Paramount will turn things around in no time.

People when Sony Pictures’ Venom gets negative reviews from critics: FUCK YOU SONY! STOP MAKING SPIDER-MAN FILMS! PACK YOUR BAGS! SELL THE SPIDER-MAN RIGHTS TO MARVEL! GO ROT IN HELL! YOU PEOPLE ARE INCOMPETENT! Oh by the way, Spider-Man: Into the Spider-Verse looks great, Sony. I also can’t wait for Spider-Man: Far From Home which is an MCU film (as they forget that Sony has final creative control and distributes the film). Anyways, FUCK YOU, SONY! I WISH YOUR MOVIES WOULD FLOP SO YOU CAN SELL YOUR MOVIE DIVISION! YOU CAN’T MAKE SPIDER-MAN MOVIES ANYMORE! (Screeching Intensifies)

It’s a good time to be a Spider-Man/Sony fan and a bad time to be a Sony hater. I’m not saying Paramount Pictures deserves to get blasted on, but Sony getting blasted constantly is somewhat unjustified to me. Of course, you may not like the direction the Spider-Man franchise had been going with Sony (then again Into the Spider-Verse says hi), but people are judging some films negatively because it’s a Sony film. Or some people just look at the new Spider-Man movies, Ghostbusters (2016), the Emoji Movie, and Venom’s reviews, and say that the whole studio sucks because of that. I’m sure some people have other reasons, but I don’t get how Sony is a reason why a movie is bad. It’s just a film studio. They’ve made bad movies, but so have 20th Century Fox, Universal, Paramount, Warner Bros, and Disney. They’ve made good movies too. I’ll show you some down below.

1924-1976: The Beginning and Before the 80s

In 1918, Harry Cohn, Jack Cohn, and Joe Brandt founded Cohn-Brandt-Cohn (CBC) Film Sales. In order to improve the brand name, the company was renamed to Columbia Pictures Corporation on January 10, 1924. Columbia’s films were mostly moderately budgeted comedies, sports films, serials, and cartoons. As time went on Columbia would start making high budget films and join United Artists and Universal Pictures to become the “Little Three” in the Golden Age of Hollywood. Unlike the five major film studios in the Golden Age, RKO Radio Pictures, Metro-Goldwyn-Mayer, 20th Century Fox, Paramount Pictures, and Warner Bros Pictures, Columbia didn’t own any theaters. However, Columbia’s rise to become a major film studio was due to the ambitious director, Frank Capra, with movies like It Happened One Night, Lost Horizon, and Mr. Smith Goes to Washington, which made James Stewart a star. Columbia couldn’t afford to have a large amount of contract stars to the point where they would borrow stars from other studios. MGM would send some of their stars to Columbia to punish them if they weren’t obedient. After Harry Cohn’s death in February 1958, Columbia started to decline with multiple box office failures to the point where they could possibly go bankrupt. Fortunately in 1972, the studio was saved with an drastic overhaul in management and a deal with Warner Bros to share the WB studio lot. Some Columbia hits include Lawrence of Arabia, Dr. Strangelove, and Taxi Driver. Notable Columbia Pictures films: Discontented Husbands, It Happened One Night, Lawrence of Arabia, Dr. Strangelove, and Taxi Driver

1977-1983: Close Encounters of the Third Kind Era

On November 1977, Close Encounters of the Third Kind, a sci-fi film directed by Steven Spielberg, became a major success for Columbia Pictures and was their highest grossing film at the time (making $307M worldwide). In 1982, Columbia Pictures was bought out by Coca-Cola, the company behind the soda. Tri-Star Pictures was also created around this time, while Columbia expanded its television franchise. Major hits for the studio include Kramer vs. Kramer, The Blue Lagoon, Stripes, Stir Crazy, Tootsie, and The Big Chill. Notable Columbia Pictures films: Close Encounters of the Third Kind, Kramer vs. Kramer, Stripes, Stir Crazy, and Tootsie

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Notable Columbia Pictures film that bombed: Krull

1984-1989: Ghostbusters/The Karate Kid/Rambo Era

On June 1984, two Columbia Pictures movies would be the biggest movies and the most well known films in Columbia’s library: Ghostbusters (making $295M worldwide) and The Karate Kid (making $91M in the US). Ghostbusters would receive a sequel in the form of Ghostbusters II, while The Karate Kid would become a trilogy. On the TriStar side, they had received Rambo: First Blood Part II and Rambo III, which would be a major success for the studio. Rambo: First Blood Part II was the highest grossing Columbia/TriStar film in this era, making $300M worldwide. Other hits include Stand By Me, Look Who’s Talking, Peggy Sue Got Married, and When Harry Met Sally… This success would catch the eyes of a fellow Japanese multinational conglomerate that would buy them in 1989. Notable Columbia/Tristar Pictures films: Ghostbusters 1 and 2, The Karate Kid Trilogy, Rambo: First Blood Part II and Rambo III, When Harry Met Sally…, and Look Who’s Talking

Notable Columbia Pictures films that bombed: Ishtar and The Adventures of Baron Munchausen

1990-1996: Early Sony Era

On 1989, Sony bought Columbia Pictures for $3.4B. Did Sony buy the best studio at the time? Probably not, but I don’t know if they could’ve bought a different studio (20th Century Fox was owned by News Corporation, Warner Bros was probably too successful to be bought, and Disney would never give in to another corporation). The three studios I could see Sony buying instead of Columbia are MGM/UA, Universal, or Paramount, though I’m leaning towards Paramount more. Imagine complaining about the new Star Trek movie or Transformers movie being ruined by “Sony”. But honestly, this wasn’t a bad buy for Sony as they would keep their film division to this day. In the long term. As for short term, well, something was off. In 1994, Sony took a $2.7B write-off. It seems like it took less time for Sony to make a successful video game console (PlayStation) than it took for Sony to make Columbia Pictures an actual worthy investment. Most of the hits came from TriStar and not from Columbia Pictures with movies like Hook, Basic Instinct, Cliffhanger, Sleepless in Seattle, Philadelphia, Jumanji, and the highest grossing film for TriStar at the time, Terminator 2: Judgement Day (making $521M worldwide). On the Columbia side of things, the biggest franchise they had was probably City Slickers, but it wasn’t much compared to Ghostbusters, The Karate Kid, and Rambo in the 80s. They did have some other hits like Total Recall, Flatliners, Misery, Boyz N the Hood, The Prince of Tides, A League of Their Own, Bram Stoker’s Dracula, A Few Good Men, Groundhog Day, In the Line of Fire, Bad Boys, The Cable Guy, and the highest grossing Columbia Pictures film in this era, Jerry Maguire (making $274M worldwide). Notable Sony/Columbia Pictures films: Total Recall (1990), Terminator 2: Judgement Day, Hook, City Slickers, Basic Instinct, and Jumanji

Notable Sony/Columbia Pictures film that bombed: Hudson Hawk

1997-2001: Men In Black Era

Fortunately in 1996, Amy Pascal and Chris Lee was brought in to become the president of Columbia and TriStar, respectively. On 1997, Sony Pictures was ranked as the highest grossing film studio in the US, making $1.26B with movies like The Fifth Element, My Best Friend’s Wedding, Air Force One, As Good As It Gets, and the highest grossing Sony film in this era, Men In Black (making $251M in the US and $589M Worldwide). Other hits from Sony in this era include Godzilla, The Mask of Zorro, Stepmom, Big Daddy, Stuart Little, The Patriot, Charlie’s Angels, America’s Sweethearts, and Black Hawk Down. After their success in 1997, they weren’t able to replicate their success and fell behind the other major film studios. In 2000, they were in 7th place behind every major film studio plus Dreamworks SKG, making $682M that year. In 2001, they were in 6th place behind every major film studio, making $729M that year. Fortunately for Sony, they had gotten their hands on the most iconic Marvel superhero with plans to make a live action movie of this character. And this character made a major impact on Sony Pictures. Notable Sony/Columbia Pictures films: The Fifth Element, Men In Black, Air Force One, Stuart Little, and Charlie’s Angels

Notable Sony/Columbia Pictures film that bombed: Ali and Final Fantasy: The Spirits Within

Stuart Little 2 Movie

2002-2007: Spider-Man Era

While Paramount’s 90th anniversary in 2002 didn’t end well, Columbia Pictures’ 78th anniversary was amazing. Not only was this year the best year since 1997, Sony was able to have the largest market share and make $1.5B in the US, surpassing 1997 with movies like Panic Room, Mr. Deeds, Men In Black II, xXx, Maid in Manhattan, and Sony’s highest grossing film at the time, Spider-Man (making $404M in the US and $822M worldwide) Spider-Man would be the highest grossing Sony film domestically until 2018. In 2004, Sony had the largest market share again and made $1.2B in the US with movies like 50 First Dates, White Chicks, The Grudge, Christmas with the Kranks, and of course, Spider-Man 2. In 2005, Sony led a consortium that purchased MGM, giving Sony the distribution rights to the James Bond franchise. In 2006, Sony would have the largest market share for the third time this era and made $1.7B in the US, surpassing 2002 with movies like The Da Vinci Code, Click, Talladega Nights: The Ballad of Ricky Bobby, Open Season, Casino Royale, and The Pursuit of Happyness, showing that Sony doesn’t need Men In Black or Spider-Man to make $1B in the US. This didn’t happen with the odd-numbered years, as Sony was 2nd in 2003 (making $1.2B that year), 5th place in 2005 (making $918M that year), and 4th place in 2007 (making $1.2B that year, even with the release of Spider-Man 3) Around this time, Sony were able to keep two actors around to make most of their films under Sony: Adam Sandler with Mr. Deeds, Anger Management, 50 First Dates, and Click and Will Smith with Men in Black II, Bad Boys II, Hitch, and The Pursuit of Happyness. Spider-Man was clearly the biggest franchise for Sony in this era and has been the biggest franchise for Sony since. Sony had other small franchises that were profitable like Resident Evil and Underworld. Other hits from Sony include Daddy Day Care, Charlie’s Angels: Full Throttle, S.W.A.T., Superbad, and Spider-Man 3, which would become the highest grossing Sony film at the time, making $890M worldwide despite mixed reviews. Notable Sony/Columbia Pictures films: Spider-Man Trilogy, Men In Black II, Hitch, The Da Vinci Code, and Casino Royale

Notable Sony/Columbia Pictures films that bombed: Stuart Little 2, Gigli, xXx: State of the Union, Stealth, and Zoom

Stuart Little 2 2002 Movie

2008-2012: The James Bond Era

Now with the Spider-Man franchise mostly absent this era besides the Amazing Spider-Man, Sony mostly depended on Adam Sandler, Will Smith, and the James Bond franchise to be successful. I’ve noticed that other than that, Sony doesn’t heavily depend on multiple successful franchises compared to the other major film studios. They actually profited off of many original films in the previous era and this era. James Bond was still going strong with Quantum of Solace and reached to franchise and studio records with Skyfall, becoming James Bond and Sony’s highest grossing film and Sony’s only billion dollar film to this date, making $1.1B worldwide. Adam Sandler had hits with movies under Happy Madison like You Don’t Mess With Zohan, Paul Blart: Mall Cop, Grown Ups, Just Go With It, and Zookeeper. Will Smith had hits with movies like Hancock, The Karate Kid (as Producer), and Men In Black 3. They were 5th in 2010 and 3rd in 2008, 2009, and 2011. The only time they had the largest market share this era was in 2012, making $1.8B in the US, surpassing 2006 with movies like The Vow, 21 Jump Street, Men In Black 3, The Amazing Spider-Man, Hotel Transylvania, Skyfall, and Zero Dark Thirty. Other hits for Sony include Step Brothers, Pineapple Express, Angels and Demons, District 9, Cloudy with a Chance of Meatballs, Zombieland, 2012, Salt, The Other Guys, The Social Network, The Green Hornet, Battle: Los Angeles, The Smurfs, Bad Teacher, Moneyball, and The Girl with the Dragon Tattoo. Notable Sony/Columbia Pictures films: 007 James Bond (Quantum of Solace and Skyfall), Hancock, 2012, The Karate Kid, The Amazing Spider-Man, and Men In Black 3

Notable Sony/Columbia Pictures films that bombed: Year One, The Pink Panther 2, How Do You Know, Jack and Jill, That’s My Boy, and Total Recall (2012)

2013-2016: The Amazing Spider-Man 2/Sony Hack/The Decline Era

After 2012, it seems like Sony was slowly declining. Sony didn’t have a stable franchise, though was still doing better than Paramount. The Amazing Spider-Man 2 was supposed to set up a whole cinematic universe on Andrew Garfield’s Spider-Man, but underperformed and the sequels were cancelled in favor of a deal struck with Marvel Studios to bring Spider-Man to the Marvel Cinematic Universe. Spectre did well as a James Bond film, but was the last James Bond film Sony would be able to distribute. Adam Sandler and Will Smith movies weren’t doing as well as before and pretty much stopped making films for Sony at the end of this era. Ghostbusters was rebooted, but infamously underperformed. They were 4th in 2013 and 2014 and 5th in 2015 and 2016 (making slightly less than $1B in the US), just above Paramount Pictures. Some other hits are This is the End, Grown Ups 2, Elysium, Cloudy with a Chance of Meatballs 2, Captain Phillips, American Hustle, 22 Jump Street, The Equalizer, Hotel Transylvania 2, The Angry Birds Movie, Sausage Party, Don’t Breathe, The Magnificent Seven, and Passengers. In late 2016, Sony took a $962M write down, with rumors starting that Sony would sell off their movie division sometime in 2017 if their 2017 lineup didn’t do so well. This most likely wasn’t true, and 2017 fortunately proves the studio’s worth. Notable Sony/Columbia Pictures films: Captain Phillips, American Hustle, The Amazing Spider-Man 2, 22 Jump Street, Hotel Transylvania 2, and Spectre

Notable Sony/Columbia Pictures films that bombed: After Earth, White House Down, Aloha, Pixels, Grimsby, and Ghostbusters (2016)

2017-Present: Spider-Man/Jumanji Era (Comeback Era?)

In the first half of 2017, it wasn’t looking too good for Sony. Resident Evil: The Final Chapter did fine, especially in China. Life and Rough Night were only modest successes for the studio. Smurfs: The Lost Village was an attempt to reboot the Smurfs but underperformed, making slightly less than $200M. However, things started to turn around with three summer movies: Baby Driver, Spider-Man: Homecoming, and the Emoji Movie. Baby Driver was a surprise success for Sony and for director Edgar Wright. Spider-Man was shared between Marvel and Sony, which led to everyone wanting to see Spider-Man’s first solo film (+Iron Man) with Marvel Studios, making $880M worldwide, just $10M behind Spider-Man 3. The Emoji Movie was made fun of by everyone, even though enough people went to make this film $218M worldwide. The Dark Tower did alright, but probably not enough to warrant a sequel. It seems like Sony did alright, but then December 2017 came. Sony decided to release Jumanji: Welcome to the Jungle near Star Wars: The Last Jedi as counter programming (what a moron, am I right? /s). With the movie having a surprisingly strong word of mouth, it topped Star Wars: The Last Jedi in the first few weeks of 2018. Jumanji: Welcome to the Jungle would later go on to make $405M in the US, surpassing Spider-Man to be the highest grossing Sony film in the US and would make $962M worldwide, just a notch below $1B. I had a feeling that $405M made in the US was what Sony was expecting the movie to make worldwide. In 2018, Sony’s success continued on with hits like Peter Rabbit, Hotel Transylvania 3: Summer Vacation, The Equalizer 2, and the biggest surprise of 2018 for Sony that isn’t Jumanji, Venom, making at least $212M in the US and at least $823M worldwide. Sony was also able to keep the budgets low and have low budget films like Sicario: Day of the Soldado, Goosebumps 2: Haunted Halloween, and Searching make a decent amount of profit. It may seem like Sony is making a comeback, especially with Spider-Man: Into the Spider-Verse being well received and being at least moderately successful (though only time will tell). Notable Sony/Columbia Pictures films: Baby Driver, Spider-Man Homecoming (and Into the Spider-Verse), Jumanji: Welcome to the Jungle, Hotel Transylvania 3: Summer Vacation, and Venom

2019 is next year, and it’s time to look at what Sony has in-store for everyone next year. I’ll try to keep it short (with a basic description of each one if necessary and how well it might do). The numbers I have won’t be accurate, so take it with a grain of salt.

Escape Room - it’s a psychological thriller film directed by Adam Robitel. If it has a low budget, I think this could be moderately successful while adapting the escape room idea into film. I’d say $50M Domestic and $70M Worldwide.

A Dog’s Way Home - it’s a family drama film directed by Charles Martin Smith. I don’t get how A Dog’s Purpose is at Universal while this movie is at Sony. Did Universal not buy the rights to every single A Dog book or what? This will probably make less than A Dog’s Purpose with $50M Domestic and $180M Worldwide. But at least it comes out before A Dog’s Journey, another movie based on the A Dog franchise. A Dog’s Way Home will probably make more than A Dog’s Journey based on this movie coming first.

Miss Bala - it’s an American-Mexican action thriller directed by Catherine Hardwicke and is a remake of the 2011 Mexican film of the same name. I don’t know what to compare this too. There isn’t any numbers on how much the original did either, so I have to make guesses. I’d say $50M Domestic and $100M Worldwide.

Greyhound - it’s a war film directed by Aaron Schneider and starring Tom Hanks in another World War II movie. No footage has been released, but it could make $100M Domestic and $300M Worldwide with the right marketing and a good movie like Saving Private Ryan.

The Intruder - it’s a psychological thriller directed by Deon Taylor. This could do almost as well as Don’t Breathe, but I still don’t get why the former owner of the mansion sold his house (if you see the trailer). $70M Domestic and $100M Worldwide.

The Rosie Project - it’s a film directed by Ben Taylor. Not much is known unless you read the book. Besides Crazy Rich Asians, there hasn’t been much romantic comedies. I guess this can be compared with Overboard (2018), meaning this movie could do $50M Domestic and $70M Worldwide

BrightBurn - it’s a horror film directed by David Yarovesky with James Gunn producing the film. This could break out, even in the late May slot. Then again, not much is known about this film. Maybe $80M Domestic and $120M Worldwide?

Men In Black International - it’s a science fiction action comedy film directed by F. Gary Gray and is a spinoff of the Men in Black trilogy. What makes this a spinoff is that this is a London based team instead of New York. And hey, Chris Hemsworth is another Sony franchise that Sony is trying to make relevant. But I think it could succeed this time, unlike Ghostbusters (2016). I could see this doing at least $160M Domestic, though it could go as high as $240M Domestic with a strong word of mouth, similar to how well Jumanji unexpectedly did. As for Worldwide, I’d say $450M, but it could go as high as $600M.

Grudge - it’s a supernatural psychological horror film directed by Nicolas Pesce and is a remake of The Grudge (2004) which was also a remake based on a Japanese horror film. It probably won’t be as successful as the 2004 remake as this 2019 remake is a similar premise and no one is really demanding it. I could see this doing $100M domestic and $160M worldwide at most.

Spider-Man: Far From Home - it’s a superhero film directed by Jon Watts and is part of the Marvel Cinematic Universe. I could see this going two ways. One way is that this will make $900M and the domestic total will drop from Homecoming (maybe $320M). However, this could possibly be the second Sony film after Skyfall to gross $1B. The only two obstacles are The Lion King movie which comes out two weeks later (it’s like Disney is trying to prevent Sony from being a major competitor for Disney in the movie industry like how Universal and Warner Bros currently are to Disney while Fox is taken care of and Paramount is trying to pick themselves up) and the plot is pretty much Hotel Transylvania 3: Summer Vacation.

Wish Dragon - it’s a 3D computer-animated film from Sony Pictures Animation. Not much is known about this film besides Jackie Chan being involved and it having a Chinese theme. It’s set to release on the same day as Once Upon A Time in Hollywood, but I have a feeling it could be moved to late 2019 or even 2020. Maybe this could make $80M Domestic and $200M Worldwide? I don’t know. I need more footage.

Once Upon A Time In Hollywood - it’s a mystery crime film directed by Quentin Tarantino. I could see this being similar in success to Inglourious Basterds or Django Unchained as this film seems like a wider release with a lot more marketing compared to The Hateful Eight. I could see this doing $150M Domestic and $400M Worldwide at most.

The Angry Birds Movie 2 - it’s a 3D computer-animated action comedy film from Rovio Animation and is the sequel to The Angry Birds Movie. Reception to the first one has been mixed, so I think it could go as low as $90M Domestic and $300M worldwide, or it could go as high as $120M Domestic and $400M worldwide.

Although not needed if it is only on the ground floor.

Zombieland Too - it’s a post-apocalyptic zombie comedy film directed by Ruben Fleischer and is the sequel to Zombieland. This will be another franchise Ruben Fleischer is working on with Sony besides Venom. I could see this making more than the first one with a $90M Domestic and $120M Worldwide.

You Are My Friend - it’s a drama film directed by Marielle Heller. Not much is known besides the fact that it’s about a journalist who runs into Fred Rogers and has his life changed. Unlike Won’t You Be My Neighbor?, another film about Fred Rogers, this film has Tom Hanks portraying Fred Rogers. With a wide release (if it does get one), I could see this making $40M Domestic.

Charlie’s Angels (2019) - it’s an action comedy film directed by Elizabeth Banks and is a reboot of the Charlie’s Angels franchise. If this film goes the Ghostbusters 2016 route, I could only see this make $70M Domestic and $120M Worldwide. If not (hopefully), I could see this making as much as $140M Domestic and $260M Worldwide.

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Masters of the Universe - it’s a He-Man film directed by Aaron and Adam Nee. It’s supposed to come out the same day as Jumanji 3, but I think it could be moved to 2020 (but I’ll still analyze anyways). This is a wildcard and a gamble for Sony. It could go both ways, but I think I need more footage to fully judge. $40M Domestic, $90M Worldwide?

Jumanji 3 - it’s a fantasy adventure comedy film directed by Jake Kasdan and is the sequel to Jumanji: Welcome to the Jungle, and the movie that made Disney move Jungle Cruise to July 2020. Like Spider-Man: Far From Home, it could go both ways. It could drop from the second, especially if Star Wars: Episode IX gets people to care about Star Wars, by making as much as $380M Domestic and $800M Worldwide. It will still do well as counter-programming, but maybe not as well as Jumanji: Welcome to the Jungle. Another way this could take is that everyone lost hope in Star Wars: Episode IX, and the people who didn’t see Jumanji: Welcome to the Jungle and saw Star Wars: The Last Jedi and hated it will go see Jumanji 3 instead. It’s possible that Jumanji 3 could be the second after Skyfall or the third after Skyfall and Spider-Man: Far From Home to cross $1B worldwide as a Sony film. This movie could also get a sequel boost with this making as much as $420M domestic, possibly becoming Sony’s highest grossing film domestically and passing Jumanji: Welcome to the Jungle. I’d say it could go down domestically, but it has the potential to reach $1B worldwide.

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Little Women - it’s a drama film directed by Greta Gerwig and is based on the book of the same name. Columbia Pictures did a film based on Little Women back in 1994 and that was a success. I’d say it could go up from here. I’d say $60M Domestic and $80M Worldwide.

Thoughts on the 2019 Slate: Besides not having Ghostbusters, Robert Langdon, or The Karate Kid on their side this year (Well, there’s Cobra Kai, I guess), I think Sony is going all out next year. This is probably one of the best lineups for 2019. There’s Angry Birds, Men in Black, Jumanji, Charlie’s Angels, and Spider-Man on the same year, along with possible smaller hits like Grudge and Little Women. They won’t be going against Paramount anymore, they can now go against Universal, Warner Bros, and possibly Disney.

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The Future: Regardless of what happens, I’m sure Columbia Pictures will live to see its 100th anniversary in 2024. Sony Pictures Animation will stay strong with a Peter Rabbit sequel, a Spider-Man: Into the Spider-Verse sequel, and a spinoff (though I don’t expect the Into the Spider-Verse movies to come out until 2021). Other upcoming Sony Pictures Animation films are The Mitchells vs. the Machines and Vivo. With the success of Venom, the Sony’s Universe of Marvel Characters will continue in 2020 with possibly Morbius and Venom 2. Even with the success of Venom, I doubt Sony would pull Spider-Man out of the biggest franchise ever after Far From Home. Bad Boys is coming back as Bad Boys for Life. Sony is getting more superheroes, this time from Valiant Comics starting with Bloodshot. Sony could start new franchises from video game adaptations like Watch Dogs and Uncharted (with Tom Holland as a young Nathan Drake). It seems like Sony is making a comeback, whether you like it or not.

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